The low-key designer worked romance into the houses signature 70s boho look for a collection that was decorative and mixed up a "kaleidoscope of identities.A heavy diagonal ruffle down a skirt gave it a vibrant dynamic. A dark vanilla shirt dress had a silken fur fringe that cascaded out of horizontal Graphene Fabric Manufacturers paneling, even causing icy-cool U.A romantic Victorian spirit infused many of the fluid dresses and silk shirts shown Thursday at Chloe. New Delhi-based Manish Arora mixed the vibrant colors of the Indian subcontinent with traditional and contemporary styles in Japan. "I fell in love," Takada said. And myriad colored scarves were piled up on top of one other."
A Victorian spirit infused many of the fluid dresses and silk shirts.Silken kimono looks with oversize sleeves were fastened with tight belted waists and buried by multiple layers of thick fabric.PARIS: Vivid color, romance and artistic obsessions are inspiring the myriad styles at Paris Fashion Weeks fall-winter 2018 shows.The artistic musing infused the clothes. High collars met long bell sleeves and lashings of lace.Here are some of Thursdays highlights:CHLOE PILES ON THE ROMANCE IN PARISFrench actress Isabelle Huppert and model Alexa Chung were among notables at Natacha Ramsay-Levis sophomore effort for Chloe. Gold chains, jewelry and low slung belts added movement to already kinetic silhouettes in which skirts were cut on the bias or floppily pleated.MANISH ARORA PRODUCES AN EASTERN CORNOCOPIAAt his Paris Fashion Week show, New Delhi-based Manish Arora fused the vibrant color of the Indian subcontinent with traditional and contemporary styles of Japan.S. In a stripe-heavy aesthetic, knitted skirts and tops were delivered in eye-popping colors such as Cerulean blue, bright red and yellow, evoking the hues of the jungle.KENZOS BANQUET SHOWGuests arriving in the ornate Paris Mint venue could hardly believe their eyes. Faces were sometimes painted like a Geisha with big red lips. The bubblegum pink, blinding orange, reds, blues and greens seemed to hit every hue on the planet. And then there were the colors. He was first struck by the painting in 1965 when he saw it hanging in Paris Orangery Museum.KENZOS HOMAGE TO HENRI ROUSSEAUAlthough his day job is fashion designer, Kenzo Takada is an amateur artist of some talent who has painted several reproductions of "The Dream," the Henri Rousseau masterpiece.
As the show began, ushers with white aprons carried large replicas of canvas reproductions of Rousseaus. But the strongest feature of the collection was its wild fur trims that showed off the skill Ramsay-Levi acquired at Louis Vuitton. In a historic mirrored salon, set across long tables, tasty cheeses, exotic fruits, wines and nuts spilled out onto foliage.The kimono was the starting point and it was evoked from head to toe. Kenzo had prepared a jungle-themed Bacchic banquet..Model of the moment Kaia Jordan Gerber, the 16-year-old daughter of Cindy Crawford, strutted out with a gold chain adorning a beautiful eggshell-colored 70s skin coat.Designer Kenzo Takada channeled painter Henri Rousseaus jungle aesthetic with striped heavy knitted skirts and tops in eye-popping colors such as Cerulean blue, bright red and yellow. The result was explosive. Vogue Chief Anna Wintour to turn her head. Elsewhere, Rousseau was more explicitly referenced through "tapestry jacquards" in tops, dresses and pants as well as in shearling coats.
Dramatic top knots led down to thick multicolored scarves tied like Obi belts around the neck. The vivid street style of Japans Harajuku Girls was evoked in one blue-and-yellow look that grabbed attention.The original two-by-three meter oil painting, which today hangs in MOMA, depicts a naked woman reclining on a chaise longue amid a jungle scene. At one point, some guests were shocked when a naked woman appeared covered in body paint in reference to the 1910 paintings subject. Ahead of their show, designers Humberto Leon and Carol Lim met with the Henri Rousseau Foundation to secure the rights to use the painting as a touchstone for the presentation.For each reproduction he made, Takada would paint someone he knew in place of the reclining woman, and each canvas would be hung in a different Kenzo boutique.